2017-№3 (56) Article 11

T.B. Rynchag

N.M. Karamzinʼs Narrative Technique: Adoption and Transformation  P. 76 –87.

UDC 821.161.1-31.09«19»

The paper analyzes late-sentimentalism novelettes by V.V. Izmaylov (“Rostov Lake” (Ros-tovskoye Ozero), “Fair Tatyana Who Lived by the Foot of the Vorobyev Mountains” (Prekrasnaya Tatyana, zhivushchaya u podoshvy Vorobyevykh gor)), G.P. Kamenev (“Sophia” (Sophia)), and P.Yu. Lvov (“Dasha, a Village Maiden” (Dasha, derevenskaya devushka)), which display adoption and trans-formation of narrative techniques used by N.M. Karamzin in “Poor Liza”. The paper analyzes the evolution of narrative techniques in literary studies and the formation of narratology. It analyzes late-sentimentalism novelettes through the prism of a narrative technique. A narrative technique presupposes a certain choice among possible combinations of plot events, an active role of a narrator, who serves as a mediator between the character and the reader (the narrator as an intermediary was first introduced into sentimental prose fiction by M.N. Karamzin), a definite text composition and style. The comparative analysis of the aforementioned novelettes shows that the authors employ a number of transformed narrative techniques typical of “Poor Liza”: a more complicated framing device due to the introduction of another narrator, a different imagery system, a greater number of plot lines.

narrative, late sentimentalism, sentimental novelette, V.V. Izmaylov, P.Yu. Lvov, G.P. Kamenev.

 

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